Ikusmira berriak programaren 2. deialdia. Aukeratutako proiektuen aurkezpena = Segunda convocatoria de Ikusmira berriak. Presentación de los proyectos seleccionados

Ikusmira berriak programaren 2. deialdia. Aukeratutako proiektuen aurkezpena = Segunda convocatoria de Ikusmira berriak. Presentación de los proyectos seleccionados

Leo Calice, Mikel Gurrea, Aitor and Amaia Merino and Kiro Russo will develop the four selected projects in Tabakalera’s Artists’ Space.

The residencies running for the second edition of Ikusmira Berriak, a programme providing support to audiovisual projects organised by San Sebastian, European Capital of Culture 2016, TabakaleraInternational Centre for Contemporary culture and the San Sebastian Festival, with the collaboration of Donostia Kultura and the Filmoteca Vasca, began on August 15th. During the residencies, lasting for six weeks, filmmakers Leo Calice, Mikel Gurrea, Aitor and Amaia Merino and Kiro Russo will develop the four selected projects in Tabakalera’s Artists’ Space. To help them with the process, during the first four weeks masterclasses have been organised by Fernanda del Nido, founder of the independent production company Tic Tac Company, the filmmaker John Paul Sniadecki, whose films push the limits of the documentary genre, and Manuel Arranz, former director of the Spanish RTVE network’s La2 channel and producer of television programmes. In addition, the residents will have carte blanche to programme a film forming part of their movie references at Tabakalera.

In the fifth week of their stay, coinciding with the start of the San Sebastian Festival, the participants will prepare a pitch a detailed presentation of the audiovisual project to international producers and sales agents potentially interested in coproducing and distributing their work to be made in the Festival’s industry space, where 1,496 accredited guests gathered last year. The residents will have the opportunity to organise meetings with Industry Club attendees, participate in its activities as professionals and will be issued with a pass to attend all screenings at the event. Their stay will end, precisely, on September 25th, the day after the end of the Festival.

Over the six weeks the participants will be accompanied and advised by the same expert committee responsible for selecting their projects from among the 33 submitted: Paz Lázaro, head of programming for the Panorama section at the Berlin Film Festival; Sergio Oksman, Brazilian film director (Goodbye America, A Story for the Modlins, O Futebol) and head of the production company Dok Films, and Ada Solomon, film producer and founder of HiFilm Productions.

“I think the programme is a real boon for any artist. It is a great opportunity to research and create peacefully, away from home and everyday obligations, in the extraordinary setting of San Sebastian and with the support of an incredible Festival”, analysed Solomon, who found it difficult to choose between the different projects. “I was impressed by the quality of the proposals and thought it would be impossible to choose only four of them. To make the selection we considered them globally: the originality of the proposal, the quality of the project, the filmmaker’s ability to transfer their idea to cinema and their talent and experience”, explained the Romanian producer.

These are the first impressions after ten days’ work at Tabakalera of Leo Calice, selected in the Lab category (Clermont Ferrand Festival’s experimental short film section); Mikel Gurrea, from the Kimuak short film selection; Aitor and Amaia Merino, from the Basque Autonomous Community Filmmakers category; and Kiro Russo, chosen from among participants in the International Film Students Meeting (EIECINE) running yearly at the San Sebastian Festival.

LEO CALICE

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“The time spent here will represent a major step forward in making our short film”

“I see Ikusmira Berriak as a biotope that provides the ecosystem for developing projects, something which, it goes without saying, is enormously important. It paves the way for a process of exploring aesthetic and technical questions, something which is related to the production of our film”, explains Leo Calice, who is working on an animated documentary, Calipatria, codirected with Gerhard Treml. “During the Tabakalera residency I will construct the film studio for shooting the short and will test production methods to decide exactly how we will produce it. Ikusmira Berriak will not only provide the time and space to do it, but also relevant masterclasses and the feedback of colleagues and experts. I’m really looking forward to the classes and to the exchange with the other residents, which I have no doubt will be very valuable. The time spent here will represent a major step forward in the making of our short film”.

MIKEL GURREA

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“Ikusmira Berriak assigns the creative process the importance it deserves”

“The experience is turning out to be intense and enormously interesting. We’ve had the opportunity to meet the residency organisers, who have welcomed and helped us from the beginning, and to exchange points of view with the participating filmmakers. It’s still early days, but the feeling is great”, he said. “I believe that Ikusmira Berriak has got it right by assigning the creative process the importance it deserves. The residency gives us the space, time and resources to develop and find the stories we want to tell, to generate material and experiment with the aim of leaving here with a more solid project. The fact that it all culminates with a pitching session at the Zinemaldia is really exciting and pushes you to work on making the film you’re looking for”, he notes. Personally speaking, he explains, “the residency is helping me to write, which is what I need. It’s helping me to test a more dynamic and flowing creative process, something I’d tried at small scale and which I can develop more intensely here. It’s helping me to take risks to find the best way to tell the story”. That’s why, he concludes, “I hope Ikusmira Berriak will continue to run for many years. It truly deserves it”.

AITOR Y AMAIA MERINO

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“We plant the seed and Ikusmira Berriak gives us the soil and the water to make it grow”

Siblings Aitor and Amaia Merino consider that “the experience is hugely enriching”. On the one hand, the tutorials help to give you a clear idea of the project objectives and, on the other, working with the other residents gives us the opportunity to share doubts and concerns. The Tabakalera space is perfect, we feel really at home working here”, they remark. In their opinion, Ikusmira Berriak represents “a boost to get creators up and started”. “Apart from everything you learn, we have a very high standard professional team to help us and give us advice at this stage, which you normally do with no help whatsoever. On top of this is the opportunity to enter the market offered by the Film Festival. If we add to this the creation and production workshops, the residency is an allrounder.

We plant the seed and Ikusmira Berriak gives us the soil and the water to ensure that the project grows strongly”, they conclude. Moreover, Amaia lives in Ecuador and Aitor in Madrid, meaning that meeting to work “is always complicated”. “Ikusmira Berriak has allowed us to come together and get down to work, and in our city to boot. For us the programme is a boon”, they admitted.

 KIRO RUSSO

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“This residency is one of its kind” 

“I’m really looking forward to it”, explained the Bolivian moviemaker fresh from his participation in the Cineasti del Presente section at the Locarno Festival, where he garnered a special mention for Viejo Calavera. “I’m blown away by the Tabakalera installations, it’s the most incredible cultural centre I’ve ever seen. I think it’s a tremendous luxury to be able to work in this mindblowing space; as if that wasn’t enough, San Sebastian is a magical and beautiful city perfect for letting yourself be carried away by ideas, for getting down to writing and experimenting with projects”. “We’ll have so much backing not only thanks to the comfort of the space and the endless access to all sorts of filmed and printed material, but also thanks to the dialogue kicking in with the other residency participants and with the tutors backing the projects. I think this residency is one of its kind for its particular backing of films seeking to explore new forms of cinematic language; it is a hugely important initiative”.